Lenses

  • ANGÉNIEUX 10×25 Zoom

    25-250mm
    ANGÉNIEUX 10×25 Zoom

    The Angénieux 10×25 is one of the earliest generation cinema zooms, and it carries a very distinct character.

  • ANGÉNIEUX 4×25 Zoom

    25-100mm
    ANGÉNIEUX 4×25 Zoom

    The Angénieux 25–100mm carries a very distinct vintage character. The image is softer compared to modern zooms, with a gentle contrast and a slightly textured rendering.

  • TOKINA Cinema ATX

    11–20mm
    TOKINA Cinema ATX

    The Tokina Cinema ATX 11–20mm is built around practicality. The image is clean and relatively neutral, without imposing a strong character.

  • COOKE S4/i

    16, 35, 50, 75, 100mm
    COOKE S4/i

    While the Cooke Panchros are described as vintage in their look, and the S7/i lenses are known clean and modern aesthetics, the S4/i series sits perfectly in between.

  • COOKE Speed Panchro S2 / S3

    18, 25, 32, 40, 50, 75, 100mm
    COOKE Speed Panchro S2 / S3

    The Cooke Speed Panchro S2 lenses were developed in the 1950s and are among the most legendary vintage cine optics.

  • LOMO Standard Speed

    22, 28, 35, 40, 50, 75, 100mm
    LOMO Standard Speed

    These Lomo Standard Speed spherical primes are the ultimate in vintage look from the 80´s.

  • ATLAS LENS CO. Orion

    32, 40, 50, 65, 85, 100mm
    ATLAS LENS CO. Orion

    The Atlas Orion Set is your choice to get a soft vintage Anamorphic look on a budget. 

  • LOMO Square Front

    35, 50, 80mm
    LOMO Square Front

    Originating in the 1970s, this special set is in mint condition and all lenses have been refurbished in 2021.

  • COOKE Cine Varotal MKII

    25–250mm
    COOKE Cine Varotal MKII

    Warm, sharp and light. The classic Cooke standard Zoom covers a wide range of focal lengths.

  • ZEISS Standard Speed

    10, 12, 16, 20, 24, 32, 40, 50, 60, 85, 100, 135mm
    ZEISS Standard Speed

    Zeiss Standard Speeds are classic cine lenses that have been an industry standard for decades.

  • ZEISS High Speed

    18, 25, 35, 50, 85mm
    ZEISS High Speed

    The classics. If you think of organic cinematography and low light situations you can hardly get past them.