Rent Modern & Vintage Cine Lenses

ANGÉNIEUX 10×25 Zoom

25-250mm

The Angénieux 10×25 is one of the earliest generation cinema zooms, and it carries a very distinct character.
ANGÉNIEUX 4×25 Zoom

25-100mm

The Angénieux 25–100mm carries a very distinct vintage character. The image is softer compared to modern zooms, with a gentle contrast and a slightly textured rendering.
TOKINA Cinema ATX

11–20mm

The Tokina Cinema ATX 11–20mm is built around practicality. The image is clean and relatively neutral, without imposing a strong character.
ARRI FUJINON Alura

45–250mm

The ARRI Alura 45–250mm T2.6 zoom lens is designed in collaboration between ARRI and Fujinon for productions that demand flexibility and optical precision.
ARRI/FUJINON lightweight

15.5–45mm

The ARRI/FUJINON 15.5–45mm T2.8 Lightweight Zoom is designed for filmmakers who need high-end optical performance in a compact form.
COOKE CXX S4/i Zoom

15–40mm

The Cooke 15–40mm CXX offers the precision of Cooke optics, the versatility of a fast zoom – and carries a piece of Cooke history in its name.
COOKE S4/i mini

18, 25, 32, 40, 50, 65, 75, 100mm

The Cooke miniS4/i lenses deliver the signature Cooke look in a smaller and more lightweight form factor.
COOKE S4/i

16, 35, 50, 75, 100mm

While the Cooke Panchros are described as vintage in their look, and the S7/i lenses are known clean and modern aesthetics, the S4/i series sits perfectly in between.
COOKE Speed Panchro S2 / S3

18, 25, 32, 40, 50, 75, 100mm

The Cooke Speed Panchro S2 lenses were developed in the 1950s and are among the most legendary vintage cine optics.
LOMO Standard Speed

22, 28, 35, 40, 50, 75, 100mm

These Lomo Standard Speed spherical primes are the ultimate in vintage look from the 80´s.
FUJINON Cabrio

19–90mm

This is such a great all-purpose zoom. It’s a very sharp, high-contrast lens, even wide open.
ARRI Ultra Primes

16, 24, 32, 40, 50, 85, 100mm

The lightweight and compact industry standard. Less breathing thanks to construction with floating elements.
ANGÉNIEUX EZ Serie

15–40mm • 30–90mm

Angenieux rewrote the playbook with the EZ zooms. This really is the zoom that can replace your primes on many projects.
ANGÉNIEUX Optimo Rouge

16–42mm • 30–80mm

Angenieux compact zooms are always on the top of the list when precision, quality, and agility are demanded.
ANGÉNIEUX Optimo Style

16–40mm • 30–76mm

The Angenieux Optimo Style is a high-quality cinema zoom designed for PL-mount cinema cameras.
ARRI Master Prime

16, 21, 27, 32, 40, 50, 75, 135mm

In 2005, ARRI/Zeiss took things up a notch by introducing the Academy Award-winning Master Prime lenses.
ATLAS Orion

32, 40, 50, 65, 85, 100mm

The Atlas Orion Set is your choice to get a soft vintage Anamorphic look on a budget.
HAWK V-Lite

28, 35, 45, 55, 80, 110mm

The unique look and reliability of Hawk Anamorphic glass in a smaller package. Meet the Hawk V-Series.
LOMO Square Front

35, 50, 80mm

Originating in the 1970s, this special set is in mint condition and all lenses have been refurbished in 2021.
COOKE Cine Varotal MKII

25–250mm

Warm, sharp and light. The classic Cooke standard Zoom covers a wide range of focal lengths.
ZEISS Standard Speed

10, 12, 16, 20, 24, 32, 40, 50, 60, 85, 100, 135mm

Zeiss Standard Speeds are classic cine lenses that have been an industry standard for decades.
ZEISS High Speed

18, 25, 35, 50, 85mm

The classics. If you think of organic cinematography and low light situations you can hardly get past them.