Lenses

  • ANGÉNIEUX 10×25 Zoom

    25-250mm
    ANGÉNIEUX 10×25 Zoom

    The Angénieux 10×25 is one of the earliest generation cinema zooms, and it carries a very distinct character.

  • ANGÉNIEUX 4×25 Zoom

    25-100mm
    ANGÉNIEUX 4×25 Zoom

    The Angénieux 25–100mm carries a very distinct vintage character. The image is softer compared to modern zooms, with a gentle contrast and a slightly textured rendering.

  • ARRI FUJINON Alura

    45–250mm
    ARRI FUJINON Alura

    The ARRI Alura 45–250mm T2.6 zoom lens is designed in collaboration between ARRI and Fujinon for productions that demand flexibility and optical precision.

  • ARRI/FUJINON lightweight

    15.5–45mm
    ARRI/FUJINON lightweight

    The ARRI/FUJINON 15.5–45mm T2.8 Lightweight Zoom is designed for filmmakers who need high-end optical performance in a compact form.

  • COOKE CXX S4/i Zoom

    15–40mm
    COOKE CXX S4/i Zoom

    The Cooke 15–40mm CXX offers the precision of Cooke optics, the versatility of a fast zoom – and carries a piece of Cooke history in its name.

  • FUJINON Cabrio

    19–90mm
    FUJINON Cabrio

    This is such a great all-purpose zoom. It’s a very sharp, high-contrast lens, even wide open.

  • ANGÉNIEUX EZ Serie

    15–40mm • 30–90mm
    ANGÉNIEUX EZ Serie

    Angenieux rewrote the playbook with the EZ zooms. This really is the zoom that can replace your primes on many projects.

  • ANGÉNIEUX Optimo Rouge

    16–42mm • 30–80mm
    ANGÉNIEUX Optimo Rouge

    Angenieux compact zooms are always on the top of the list when precision, quality, and agility are demanded.

  • ANGÉNIEUX Optimo Style

    16–40mm • 30–76mm
    ANGÉNIEUX Optimo Style

    The Angenieux Optimo Style is a high-quality cinema zoom designed for PL-mount cinema cameras.

  • COOKE Cine Varotal MKII

    25–250mm
    COOKE Cine Varotal MKII

    Warm, sharp and light. The classic Cooke standard Zoom covers a wide range of focal lengths.