Lenses

  • HAWK V-Lite

    28, 35, 45, 55, 80, 110mm
    HAWK V-Lite

    The unique look and reliability of Hawk Anamorphic glass in a smaller package. Meet the Hawk V-Series.

  • LOMO Square Front

    35, 50, 80mm
    LOMO Square Front

    Originating in the 1970s, this special set is in mint condition and all lenses have been refurbished in 2021.

  • ATLAS Orion

    32, 40, 50, 65, 85, 100mm
    ATLAS Orion

    The Atlas Orion Set is your choice to get a soft vintage Anamorphic look on a budget. 

  • COOKE Speed Panchro S2 / S3

    18, 25, 32, 40, 50, 75, 100mm
    COOKE Speed Panchro S2 / S3

    The Cooke Speed Panchro S2 lenses were developed in the 1950s and are among the most legendary vintage cine optics.

  • COOKE S4/i

    16, 35, 50, 75, 100mm
    COOKE S4/i

    While the Cooke Panchros are described as vintage in their look, and the S7/i lenses are known clean and modern aesthetics, the S4/i series sits perfectly in between.

  • COOKE S4/i mini

    18, 25, 32, 40, 50, 65, 75, 100mm
    COOKE S4/i mini

    The Cooke miniS4/i lenses deliver the signature Cooke look in a smaller and more lightweight form factor.

  • ARRI Master Prime

    16, 21, 27, 32, 40, 50, 75, 135mm
    ARRI Master Prime

    In 2005, ARRI/Zeiss took things up a notch by introducing the Academy Award-winning Master Prime lenses.

  • LOMO Standard Speed

    22, 28, 35, 40, 50, 75, 100mm
    LOMO Standard Speed

    These Lomo Standard Speed spherical primes are the ultimate in vintage look from the 80´s.

  • ARRI Ultra Primes

    16, 24, 32, 40, 50, 85, 100mm
    ARRI Ultra Primes

    The lightweight and compact industry standard. Less breathing thanks to construction with floating elements.

  • ZEISS High Speed

    18, 25, 35, 50, 85mm
    ZEISS High Speed

    The classics. If you think of organic cinematography and low light situations you can hardly get past them.

  • ZEISS Standard Speed

    10, 12, 16, 20, 24, 32, 40, 50, 60, 85, 100, 135mm
    ZEISS Standard Speed

    Zeiss Standard Speeds are classic cine lenses that have been an industry standard for decades.

  • COOKE CXX S4/i Zoom

    15-40mm
    COOKE CXX S4/i Zoom

    The Cooke 15–40mm CXX offers the precision of Cooke optics, the versatility of a fast zoom – and carries a piece of Cooke history in its name.

  • COOKE Cine Varotal MKII

    25–250mm
    COOKE Cine Varotal MKII

    Warm, sharp and light. The classic Cooke standard Zoom covers a wide range of focal lengths.

  • ANGÉNIEUX 25-250 HR

    25-250mm
    ANGÉNIEUX 25-250 HR

    Angenieux’s oldest zooms are really special. They have excellent image quality, with so much character.

  • ANGÉNIEUX Optimo Style

    25-250mm
    ANGÉNIEUX Optimo Style

    The 4th generation of the world famous zoom offers an impressive range with reduced breathing and the unique Angénieux look.

  • ANGÉNIEUX Optimo Style

    16–40mm • 30–76mm
    ANGÉNIEUX Optimo Style

    The Angenieux Optimo Style is a high-quality cinema zoom designed for PL-mount cinema cameras.

  • ANGÉNIEUX Optimo Rouge

    16–42mm • 30–80mm
    ANGÉNIEUX Optimo Rouge

    Angenieux compact zooms are always on the top of the list when precision, quality, and agility are demanded.

  • ANGÉNIEUX EZ Serie

    15–40mm • 30–90mm
    ANGÉNIEUX EZ Serie

    Angenieux rewrote the playbook with the EZ zooms. This really is the zoom that can replace your primes on many projects.

  • FUJINON Cabrio

    19-90mm
    FUJINON Cabrio

    This is such a great all-purpose zoom. It’s a very sharp, high-contrast lens, even wide open.

  • DZOFILM Pictor Zoom

    50-125
    DZOFILM Pictor Zoom

    The DZOFilm Pictor 50–125mm T2.8 is a versatile cine zoom built for modern Super 35 digital cinema cameras.

  • TOKINA Cinema ATX

    11-20mm
    TOKINA Cinema ATX

    The Tokina Cinema ATX lens is designed specifically for digital cinema cameras, offering a balance between modern optical precision and a subtly organic, filmic look.