Lenses - RGB RENTAL Berlin

COOKE Anamorphic FF

32, 40, 50, 85, 100mm

The Cooke Anamorphic /i Full Frame 1.8x primes, catering to large format production while retaining the distinct anamorphic characteristics.
VILTROX 1.33x FF

23, 50, 75mm

The Viltrox 1.33x Full Frame Anamorphic lenses are built to cover full-frame 16:9 sensors and deliver a 2.39:1 aspect ratio.
HAWK V-Lite

28, 35, 45, 55, 80, 110mm

The unique look and reliability of Hawk Anamorphic glass in a smaller package. Meet the Hawk V-Series.
LOMO Square Front

35, 50, 80mm

Originating in the 1970s, this special set is in mint condition and all lenses have been refurbished in 2021.
ATLAS Mercury

36, 42, 54, 72, 95, 138mm

With the 1.5x squeeze ratio, they are flexible for sensors of any size or aspect ratio. The close focus is very good for anamorphic lenses
ATLAS Orion

32, 40, 50, 65, 85, 100mm

The Atlas Orion Set is your choice to get a soft vintage Anamorphic look on a budget.
BLAZAR Remus 1,5X

45, 65, 100mm

The Remus 1.5x series by Blazar was designed to deliver a classic anamorphic look while prioritizing a compact design.
CANON FD TLS

14, 20, 24, 35, 55, 85, 135mm

Now everybody knows the secret that Canon FD lenses are a perfect fit for Full Frame cinematography.
CANON FD Century

300mm

This Canon 300mm lens, rehoused by Century Precision Optics, combines classic Canon telephoto glass with modern cinema mechanics.
BLACKWING Tribe7

20.7, 27, 37, 47, 57, 77, 107mm

The new vintage style for full frame sensors, with striking flares and bokeh that exude a unique charm.
COOKE Speed Panchro S2 / S3

18, 25, 32, 40, 50, 75, 100mm

The Cooke Speed Panchro S2 lenses were developed in the 1950s and are among the most legendary vintage cine optics.
COOKE S4/i

16, 35, 50, 75, 100mm

While the Cooke Panchros are described as vintage in their look, and the S7/i lenses are known clean and modern aesthetics, the S4/i series sits perfectly in between.
COOKE S4/i mini

18, 25, 32, 40, 50, 65, 75, 100mm

The Cooke miniS4/i lenses deliver the signature Cooke look in a smaller and more lightweight form factor.
COOKE S7/i FF

18, 21, 27, 32, 40, 65, 100mm

The Cooke S7/i Full Frame Plus primes are designed to cover modern large-format sensors while maintaining the signature “Cooke Look”
LEICA R Summicron

19, 28, 35, 50, 90mm

The lenses of the Leica R SLR camera system are popular for their creamy bokeh and warm color rendition.
OLYMPUS Zuiko

18, 21, 24, 28, 35, 40, 50, 85, 100mm

The Olympus OM Zuiko Primes were all crafted under the supervision of japanese master Yoshihisa Maitani in the 1970s.
ARRI Master Prime

16, 21, 27, 32, 40, 50, 75, 135mm

In 2005, ARRI/Zeiss took things up a notch by introducing the Academy Award-winning Master Prime lenses.
CLAVIUS Richard Gale

22, 28, 38, 58, 88mm

A lens set is build out of just one lens? In 2017, Richard Gale designed this set by using the famous Helios-44 58mm primes.
IRONGLASS MK2

20, 28, 37, 58, 85mm

The IRONGLASS MKII rehousing also brings forth the legendary Helios 44 lens, renowned for its affordability and distinct character.
LOMO Standard Speed

22, 28, 35, 40, 50, 75, 100mm

These Lomo Standard Speed spherical primes are the ultimate in vintage look from the 80´s.
ARRI Ultra Primes

16, 24, 32, 40, 50, 85, 100mm

The lightweight and compact industry standard. Less breathing thanks to construction with floating elements.
ZEISS High Speed

18, 25, 35, 50, 85mm

The classics. If you think of organic cinematography and low light situations you can hardly get past them.
ZEISS Supreme Prime

18, 21, 25, 29, 35, 40, 50, 65, 85, 100, 135, 150mm

These lenses possess exceptional sharpness. Their ability to capture vibrant colors adds depth to your footage.
ZEISS Supreme Radiance

18, 21, 25, 29, 35, 40, 50, 65, 85, 100, 135mm

Your choice for modern and sharp look plus amazing lens flares thanks to the special coating.
ZEISS Standard Speed

10, 12, 16, 20, 24, 32, 40, 50, 60, 85, 100, 135mm

Zeiss Standard Speeds are classic cine lenses that have been an industry standard for decades.
TOKINA ATX Macro

100mm

The Tokina Cinema 100mm T2.9 Macro is a true 1:1 macro lens designed specifically for fulll frame cine cameras.
HANSE INNO TECH Celere HS uncoated

18.5, 25, 36, 50, 85mm

The lens set of the Hansen Inn Tech Celere in the uncoated version is a special feature, and we are glad to have them with us.
SIGMA FF Classic Art

14, 20, 24, 28, 35, 40, 50, 85, 105, 135mm

The FF High-Speed Prime Line offers a high resolving power in its class, compatible with 8K shooting while featuring an compact design.
ZEISS HS S16 MK3

9.5, 12, 16, 25, 50mm

Everything you love about the Zeiss High Speeds for Super 35, you get with this series for 16mm image size.
IB/E RAPTOR Macros

60mm • 100mm

Large format sensors are here to stay. These impressive macro lenses are an ideal choice for shooting close-ups.
LAOWA Pro2Be Macro

24mm

The Laowa Pro2Be is a fast further development of the well-known Laowa Probe Macro lens.
LAOWA Zero-D Cine

12mm

This 12mm is currently the most extreme T2.9 wide-angle lens for full-frame sensors. It offers exceptional brightness, distortion-free performance.
TOKINA Cinema ATX

11-20mm

The Tokina Cinema ATX lens is designed specifically for digital cinema cameras, offering a balance between modern optical precision and a subtly organic, filmic look.