Lenses

  • VOIGTLÄNDER Zoomar

    36–82mm
    VOIGTLÄNDER Zoomar

    The Zoomar is the first zoom lens ever produced for 35mm still cameras. The natural bokeh and the golden flares: simply beautiful!

  • CANON Cine-Servo

    50–1000mm
    CANON Cine-Servo

    A classic companion for long elaborate zooms and creative opportunities hardly any other lens can provide.

  • FUJINON Premista

    28-100mm
    FUJINON Premista

    The Premista 28-100 mm, the first in the series to be launched, is a great standard zoom.

  • ARRI FUJINON Alura

    45-250mm
    ARRI FUJINON Alura

    The ARRI Alura 45–250mm T2.6 zoom lens is designed in collaboration between ARRI and Fujinon for productions that demand flexibility and optical precision.

  • ARRI/FUJINON lightweight

    15.5-45mm
    ARRI/FUJINON lightweight

    The ARRI/FUJINON 15.5–45mm T2.8 Lightweight Zoom is designed for filmmakers who need high-end optical performance in a compact form.

  • COOKE CXX S4/i Zoom

    15-40mm
    COOKE CXX S4/i Zoom

    The Cooke 15–40mm CXX offers the precision of Cooke optics, the versatility of a fast zoom – and carries a piece of Cooke history in its name.

  • COOKE Cine Varotal MKII

    25–250mm
    COOKE Cine Varotal MKII

    Warm, sharp and light. The classic Cooke standard Zoom covers a wide range of focal lengths.

  • ANGÉNIEUX 25-250 HR

    25-250mm
    ANGÉNIEUX 25-250 HR

    Angenieux’s oldest zooms are really special. They have excellent image quality, with so much character.

  • ANGÉNIEUX Optimo Style

    25-250mm
    ANGÉNIEUX Optimo Style

    The 4th generation of the world famous zoom offers an impressive range with reduced breathing and the unique Angénieux look.

  • ANGÉNIEUX Optimo Style

    16–40mm • 30–76mm
    ANGÉNIEUX Optimo Style

    The Angenieux Optimo Style is a high-quality cinema zoom designed for PL-mount cinema cameras.

  • ANGÉNIEUX Optimo Rouge

    16–42mm • 30–80mm
    ANGÉNIEUX Optimo Rouge

    Angenieux compact zooms are always on the top of the list when precision, quality, and agility are demanded.

  • ANGÉNIEUX EZ Serie

    15–40mm • 30–90mm
    ANGÉNIEUX EZ Serie

    Angenieux rewrote the playbook with the EZ zooms. This really is the zoom that can replace your primes on many projects.

  • FUJINON Cabrio

    19-90mm
    FUJINON Cabrio

    This is such a great all-purpose zoom. It’s a very sharp, high-contrast lens, even wide open.

  • DZOFILM Pictor Zoom

    50-125
    DZOFILM Pictor Zoom

    The DZOFilm Pictor 50–125mm T2.8 is a versatile cine zoom built for modern Super 35 digital cinema cameras.

  • TOKINA AT-X Pro

    28–70mm
    TOKINA AT-X Pro

    French zoom lens know-how at a small price. The AT-X Pro is built from Angenieux glass, the reason for why it’s also called “Tokinieux”.

  • SIGMA Art DG ND

    14-24mm
    SIGMA Art DG ND

    The Sigma 14–24mm f/2.8 DG DN Art is one of the sharpest and most versatile ultrawide zoom lenses available for full-frame cameras. Designed for highresolution sensors.

  • SIGMA Art AF DG ND

    24-70mm
    SIGMA Art AF DG ND

    The Sigma 24–70mm f/2.8 DG DN Art is one of the most popular and reliable standard zoom lenses for full-frame mirrorless cameras.

  • CANON “The Hurt Locker Lens”

    8-64mm
    CANON “The Hurt Locker Lens”

    The Canon 8–64mm T2.4 is a truly iconic cinema zoom lens designed originally for Super 16 format — often nicknamed “The Hurt Locker Lens”

  • ZEISS Vario-Sonnar S16

    11-110mm
    ZEISS Vario-Sonnar S16

    The Zeiss 11-110mm T2.2 is a highly respected Super 16-format cine zoom that offers an impressive focal range and a distinctive Zeiss look.