Lenses

  • TOKINA ATX Macro

    100mm
    TOKINA ATX Macro

    The Tokina Cinema 100mm T2.9 Macro is a true 1:1 macro lens designed specifically for fulll frame cine cameras.

  • SIGMA Art AF DG ND

    24–70mm
    SIGMA Art AF DG ND

    The Sigma 24–70mm f/2.8 DG DN Art is one of the most popular and reliable standard zoom lenses for full-frame mirrorless cameras.

  • COOKE CXX S4/i Zoom

    15–40mm
    COOKE CXX S4/i Zoom

    The Cooke 15–40mm CXX offers the precision of Cooke optics, the versatility of a fast zoom – and carries a piece of Cooke history in its name.

  • COOKE S4/i mini

    18, 25, 32, 40, 50, 65, 75, 100mm
    COOKE S4/i mini

    The Cooke miniS4/i lenses deliver the signature Cooke look in a smaller and more lightweight form factor.

  • SIGMA FF High Speed

    14, 20, 24, 28, 35, 40, 50, 65, 85, 105, 135mm
    SIGMA FF High Speed

    Built for full-frame cinema cameras, this set of high-speed primes delivers stunning optical clarity, sharpness, and color accuracy across the entire frame.

  • ATLAS Mercury

    36, 42, 54, 72, 95, 138mm
    ATLAS Mercury

    With the 1.5x squeeze ratio, they are flexible for sensors of any size or aspect ratio. The close focus is very good for anamorphic lenses

  • BLAZAR Remus 1,5X

    45, 65, 100mm
    BLAZAR Remus 1,5X

    The Remus 1.5x series by Blazar was designed to deliver a classic anamorphic look while prioritizing a compact design.

  • FUJINON Premista

    28–100mm
    FUJINON Premista

    The Premista 28–100 mm, the first in the series to be launched, is a great standard zoom.

  • FUJINON Cabrio

    19–90mm
    FUJINON Cabrio

    This is such a great all-purpose zoom. It’s a very sharp, high-contrast lens, even wide open.

  • ARRI Ultra Primes

    16, 24, 32, 40, 50, 85, 100mm
    ARRI Ultra Primes

    The lightweight and compact industry standard. Less breathing thanks to construction with floating elements.

  • HANSE INNO TECH Celere HS uncoated

    18.5, 25, 36, 50, 85mm
    HANSE INNO TECH Celere HS uncoated

    The lens set of the Hansen Inn Tech Celere in the uncoated version is a special feature, and we are glad to have them with us.

  • LAOWA Zero-D Cine

    12mm
    LAOWA Zero-D Cine

    This 12mm is currently the most extreme T2.9 wide-angle lens for full-frame sensors. It offers exceptional brightness, distortion-free performance.

  • SIGMA FF Classic Art

    14, 20, 24, 28, 35, 40, 50, 85, 105, 135mm
    SIGMA FF Classic Art

    The FF High-Speed Prime Line offers a high resolving power in its class, compatible with 8K shooting while featuring an compact design.

  • ANGÉNIEUX EZ Serie

    15–40mm • 30–90mm
    ANGÉNIEUX EZ Serie

    Angenieux rewrote the playbook with the EZ zooms. This really is the zoom that can replace your primes on many projects.

  • ANGÉNIEUX Optimo Rouge

    16–42mm • 30–80mm
    ANGÉNIEUX Optimo Rouge

    Angenieux compact zooms are always on the top of the list when precision, quality, and agility are demanded.

  • ANGÉNIEUX Optimo Style

    16–40mm • 30–76mm
    ANGÉNIEUX Optimo Style

    The Angenieux Optimo Style is a high-quality cinema zoom designed for PL-mount cinema cameras.

  • ZEISS Supreme Prime

    18, 21, 25, 29, 35, 40, 50, 65, 85, 100, 135, 150mm
    ZEISS Supreme Prime

    These lenses possess exceptional sharpness. Their ability to capture vibrant colors adds depth to your footage.

  • ARRI Master Prime

    16, 21, 27, 32, 40, 50, 75, 135mm
    ARRI Master Prime

    In 2005, ARRI/Zeiss took things up a notch by introducing the Academy Award-winning Master Prime lenses.

  • ZEISS Compact Primes CP.2

    18, 35, 50, 85mm
    ZEISS Compact Primes CP.2

    The Compact Primes offer the perfect combination of high image quality and reliable usability.

  • ARRI Signature Prime

    18, 29, 35, 47, 75, 125mm
    ARRI Signature Prime

    The Signature Primes are modern, fast fixed focal lengths and reproduce natural skin tones.

  • ZEISS Supreme Radiance

    18, 21, 25, 29, 35, 40, 50, 65, 85, 100, 135mm
    ZEISS Supreme Radiance

    Your choice for modern and sharp look plus amazing lens flares thanks to the special coating.

  • COOKE Anamorphic 1.8x FF

    32, 40, 50, 85, 100mm
    COOKE Anamorphic 1.8x FF

    The Cooke Anamorphic /i Full Frame 1.8x primes, catering to large format production while retaining the distinct anamorphic characteristics.

  • HAWK V-Lite

    28, 35, 45, 55, 80, 110mm
    HAWK V-Lite

    The unique look and reliability of Hawk Anamorphic glass in a smaller package. Meet the Hawk V-Series.

  • CLAVIUS Richard Gale

    22, 28, 38, 58, 88mm
    CLAVIUS Richard Gale

    A lens set is build out of just one lens? In 2017, Richard Gale designed this set by using the famous Helios-44 58mm primes.

  • CANON Cine-Servo

    50–1000mm
    CANON Cine-Servo

    A classic companion for long elaborate zooms and creative opportunities hardly any other lens can provide.