The Mamiya 645 lenses bridge the classic “vintage” look with modern optical designs.

Now everybody knows the secret that Canon FD lenses are a perfect fit for Full Frame cinematography.

The Cooke Speed Panchro S2 lenses were developed in the 1950s and are among the most legendary vintage cine optics.

While the Cooke Panchros are described as vintage in their look, and the S7/i lenses are known clean and modern aesthetics, the S4/i series sits perfectly in between.

The Cooke SP3 lenses are a compact, full-frame version of the legendary Speed Panchro S2, one of the most influential lenses in film history.

The lenses of the Leica R SLR camera system are popular for their creamy bokeh and warm color rendition.

The Olympus OM Zuiko Primes were all crafted under the supervision of japanese master Yoshihisa Maitani in the 1970s.

ZUIKO lenses have been rediscovered worldwide. Small and lightweight, these lenses flares are soft and warm, almost golden.

In 2005, ARRI/Zeiss took things up a notch by introducing the Academy Award-winning Master Prime lenses.

A lens set is build out of just one lens? In 2017, Richard Gale designed this set by using the famous Helios-44 58mm primes.

The IRONGLASS MKII rehousing also brings forth the legendary Helios 44 lens, renowned for its affordability and distinct character.

These Lomo Standard Speed spherical primes are the ultimate in vintage look from the 80´s.

The lightweight and compact industry standard. Less breathing thanks to construction with floating elements.

The classics. If you think of organic cinematography and low light situations you can hardly get past them.

These lenses possess exceptional sharpness. Their ability to capture vibrant colors adds depth to your footage.

Your choice for modern and sharp look plus amazing lens flares thanks to the special coating.

Zeiss Standard Speeds are classic cine lenses that have been an industry standard for decades.

The FF High-Speed Prime Line offers a high resolving power in its class, compatible with 8K shooting while featuring an compact design.

The Zoomar is the first zoom lens ever produced for 35mm still cameras. The natural bokeh and the golden flares: simply beautiful!

A classic companion for long elaborate zooms and creative opportunities hardly any other lens can provide.

The Premista 28-100 mm, the first in the series to be launched, is a great standard zoom.

Warm, sharp and light. The classic Cooke standard Zoom covers a wide range of focal lengths.

Angenieux’s oldest zooms are really special. They have excellent image quality, with so much character.

The 4th generation of the world famous zoom offers an impressive range with reduced breathing and the unique Angénieux look.

The Angenieux Optimo Style is a high-quality cinema zoom designed for PL-mount cinema cameras.

Angenieux compact zooms are always on the top of the list when precision, quality, and agility are demanded.

Angenieux rewrote the playbook with the EZ zooms. This really is the zoom that can replace your primes on many projects.

This is such a great all-purpose zoom. It’s a very sharp, high-contrast lens, even wide open.

French zoom lens know-how at a small price. The AT-X Pro is built from Angenieux glass, the reason for why it’s also called “Tokinieux”.