Lenses

  • TOKINA Cinema ATX

    11–20mm
    TOKINA Cinema ATX

    The Tokina Cinema ATX 11–20mm is built around practicality. The image is clean and relatively neutral, without imposing a strong character.

  • COOKE S4/i mini

    18, 25, 32, 40, 50, 65, 75, 100mm
    COOKE S4/i mini

    The Cooke miniS4/i lenses deliver the signature Cooke look in a smaller and more lightweight form factor.

  • COOKE S4/i

    16, 35, 50, 75, 100mm
    COOKE S4/i

    While the Cooke Panchros are described as vintage in their look, and the S7/i lenses are known clean and modern aesthetics, the S4/i series sits perfectly in between.

  • COOKE Speed Panchro S2 / S3

    18, 25, 32, 40, 50, 75, 100mm
    COOKE Speed Panchro S2 / S3

    The Cooke Speed Panchro S2 lenses were developed in the 1950s and are among the most legendary vintage cine optics.

  • LOMO Standard Speed

    22, 28, 35, 40, 50, 75, 100mm
    LOMO Standard Speed

    These Lomo Standard Speed spherical primes are the ultimate in vintage look from the 80´s.

  • ARRI Ultra Primes

    16, 24, 32, 40, 50, 85, 100mm
    ARRI Ultra Primes

    The lightweight and compact industry standard. Less breathing thanks to construction with floating elements.

  • ARRI Master Prime

    16, 21, 27, 32, 40, 50, 75, 135mm
    ARRI Master Prime

    In 2005, ARRI/Zeiss took things up a notch by introducing the Academy Award-winning Master Prime lenses.

  • ZEISS Standard Speed

    10, 12, 16, 20, 24, 32, 40, 50, 60, 85, 100, 135mm
    ZEISS Standard Speed

    Zeiss Standard Speeds are classic cine lenses that have been an industry standard for decades.

  • ZEISS High Speed

    18, 25, 35, 50, 85mm
    ZEISS High Speed

    The classics. If you think of organic cinematography and low light situations you can hardly get past them.