-
ANGÉNIEUX 10×25 Zoom
The Angénieux 10×25 is one of the earliest generation cinema zooms, and it carries a very distinct character.
-
ANGÉNIEUX 4×25 Zoom
The Angénieux 25–100mm carries a very distinct vintage character. The image is softer compared to modern zooms, with a gentle contrast and a slightly textured rendering.
-
ZEISS Vario-Sonnar
The Zeiss 11–110mm T2.2 is a highly respected Super 16-format cine zoom that offers an impressive focal range and a distinctive Zeiss look.
-
TOKINA Cinema ATX
The Tokina Cinema ATX 11–20mm is built around practicality. The image is clean and relatively neutral, without imposing a strong character.
-
SIGMA Art AF DG ND
The Sigma 70–200mm f/2.8 DG DN is the second-generation of Sigma’s classic telephoto zoom – redesigned for full-frame cameras.
-
SIGMA Art DG ND
The Sigma DG DN Art 14–24mm f/2.8 is one of the sharpest and most versatile ultrawide zoom lenses available for full-frame cameras. Designed for highresolution sensors.
-
SIGMA Art AF DG ND
The Sigma 24–70mm f/2.8 DG DN Art is one of the most popular and reliable standard zoom lenses for full-frame mirrorless cameras.
-
CANON “The Hurt Locker Lens”
The Canon 8–64mm T2.4 is a truly iconic cinema zoom lens designed originally for Super 16 format — often nicknamed “The Hurt Locker Lens”
-
ARRI FUJINON Alura
The ARRI Alura 45–250mm T2.6 zoom lens is designed in collaboration between ARRI and Fujinon for productions that demand flexibility and optical precision.
-
ARRI/FUJINON lightweight
The ARRI/FUJINON 15.5–45mm T2.8 Lightweight Zoom is designed for filmmakers who need high-end optical performance in a compact form.
-
COOKE CXX S4/i Zoom
The Cooke 15–40mm CXX offers the precision of Cooke optics, the versatility of a fast zoom – and carries a piece of Cooke history in its name.
Zoom
A handpicked selection of Zoom Lenses.